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2022 Spiritual Vision/ Awareness as Aesthetic Production - Hilma af Klint’s World of Art, ARTCO, No. 353

2022 Review on Josef Albers: Primary Colors at David Zwirner, Hong Kong, ARTCO, No. 352.

2021 Femininity, Flowing Water,and VideoPoetry - Shigeko Kubota’s Liquid Reality, ARTCO, No. 351.

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2020 Liminality Reconfiguring- Dumb Type’s Audiovisual Aesthetics, Art Accrediting, No.92

2021 Editor, Black Box: Tony Oursler, Kaohsiung Museum of Fine Arts.

2018 Tomb of the Soul, Temple, Machine and Self, Kaohsiung Museum of Fine Arts.

Alice, Nien-pu Ko on

2019 Editor, Comparisons, and Intersections of Art Histories in Southeast Asia, Art Accrediting, No. 86.

2018 Editor, Surviving on Time: Curatorial Report from Asia, National Art Foundation.

2017 Zones of Silence: Spaces and Histories of Migration – Spatial Politics of Postwar Japan Revisited

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2016 Graveyard of Fire and Ocean: Flowing, Turning, and Termination of Japan’s Southward, ACT Art Critique of Taiwan. No.70

2014 After the Social Turn? In Breaking Through Political Boundaries: An Alliance of Taiwan and Hong Kong, Art Critique of Taiwan, No.57

2013 Reverse Niche – Dialogue and Rebuilding at the City’s Edge An exhibition in Hong Kong, Osaka and Taiwan, Hong-Gah Museum, Taipei.

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